{"product_id":"saint-desperate-night-new-black-vinyl-2022-retroactive-records-remastered-josh-kramer-on-vocals","title":"SAINT - DESPERATE NIGHT (*NEW-BLACK VINYL, 2022, Retroactive Records) *Remastered \/ Josh Kramer on vocals!","description":"\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/d1nlGOEEzuE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eSAINT - DESPERATE NIGHT (*NEW-VINYL, 2022, Retroactive Records) *Remastered \/ Josh Kramer on vocals!\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff00ff;\"\u003e***We strongly encourage you to purchase hassle-free low cost insurance for your order at checkout. It will cover your entire order against damage, not just this item. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff00ff;\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003cem\u003e.\u003cspan style=\"color: #2b00ff;\"\u003e..what makes Desperate Night, the seventh full length album from Salem, Oregon based Saint, such a Goliath beater lies in its ability to appease those into the traditional metal of the groups past while also attracting the crowd interested in something on the more accessible side of things.\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003e                                       ANGELIC WARLORD.COM\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12x12 Insert booklet w lyrics and rare band pics\u003c\/li\u003e\n\u003cli\u003eFirst time ever released on vinyl\u003c\/li\u003e\n\u003cli\u003eLimited to just 200 Black vinyl\u003c\/li\u003e\n\u003cli\u003ePart of the elite Metal Icon Series of Retroactive Records\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSaint's golden throat vocalist, Josh Kramer brings his elite talents to 8 tracks\u003c\/li\u003e\n\u003cli\u003eOriginal release received an elite review rating of 85%!\u003c\/li\u003e\n\u003cli\u003eImagine Stryper on steroids and you get \u003cem\u003eDesperate Night\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e“To Live Forever” was slated as the title track to Saint’s 4th album to be recorded in follow up to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eToo Late For Living\u003c\/em\u003e. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE ALBUM\u003cbr\u003e\u003c\/strong\u003eOriginally released in 2012, this is the first time ever on vinyl.  Featuring classic Saint vocalist, Josh Kramer on vocals on 8 tracks, Richard Lynch (2 tracks), and \u003cem\u003eBroad is the Gate (2014)\u003c\/em\u003e vocalist, Brian Phyll Miller (1 track).  Josh and the gang just keep bringing it. The drums are faster than ever, the bass is amazing, Josh Kramer never fails to impress with his song writing ability and we swear that God him\/herself is supplying some of those blood curdling screams!\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDesperate Night\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis right on par with\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCrime Scene Earth, Hell Blade\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Mark\u003c\/strong\u003e. The sound is fat, full and round. It's hard to describe Saint if you've never listened to them but I would compare them in some ways with Judas Priest. (Imagine Stryper on steroids) Saint is a candle in the darkness, they are unbelievably hard core and not ashamed of it. At times it's as if they are actually battling the Antichrist right there on the track through their insane guitar riffs, double bass beats and powerful screams!\u003cbr\u003eWe present a must-have Black Vinyl reissue - remastered by Rob Colwell of Bombworks Sound, that comes with a 12x12 Insert with lyrics and band pics. For fans of Judas Priest, Dokken, and Messiah Prophet.  \u003c\/p\u003e\n\u003cdiv class=\"video-wrapper\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kx-jVjJsr-0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e1 The Crucible 1:14\u003cbr\u003e2 Crucified 3:18\u003cbr\u003e3 The Key 3:35\u003cbr\u003e4 End Of The World 4:13\u003cbr\u003e5 Let It Rock 3:02\u003cbr\u003e6 In The Fray 3:23\u003cbr\u003e7 Inside Out 4:19\u003cbr\u003e8 Desperate Night 4:24\u003cbr\u003e9 Zombie Shuffle 2:41\u003cbr\u003e10 Judgment 4:23\u003cbr\u003e11 To Live Forever 4:41\u003cbr\u003e12 Escape From The Fire 3:19\u003cbr\u003e13 The Crucible [Reprise] 0:29\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCredits\u003c\/strong\u003e\u003cbr\u003eBass, Vocals – Richard Lynch\u003cbr\u003eDrums – Jared Knowland\u003cbr\u003eGuitars – Jerry Johnson (11)\u003cbr\u003eVocals – Josh Kramer (tracks: All Guitars on \"Zombie\")\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cstrong\u003eANGELICWARLORD.COM\u003c\/strong\u003e\u003cbr\u003eIt isn’t a matter of the Angelic Warlord editorial staff not being into the whole stone shot from a sling into the forehead of the Philistine thing.  But what makes\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDesperate Night\u003c\/em\u003e, the seventh full length album from Salem, Oregon based Saint, such a Goliath beater lies in its ability to appease those into the traditional metal of the groups past while also attracting the crowd interested in something on the more accessible side of things.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eReleased in the summer of 2012,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDesperate Night\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efollows on the heals of Saints’ classic eighties material - including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTime’s End\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1986) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eToo Late For Living\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1988) - and its post turn of the century comeback work:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIn The Battle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2004),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Mark\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2006),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCrime Scene Earth\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(208) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHell Blade\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2010).\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eNow, do not be concerned about the “accessible” reference in that by no means is Saint “wimping out” on us.  Rather,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDesperate Night\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeatures some of the groups heaviest material ever but wrapped in the all around more hook based and catchier package- at least in comparison to what we have heard in the past (observation and not critique either way).\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eEssential pieces such as “Judgement” (raw power in its purest form), “The Key” (as assertive a bruiser as you will find) and “In The Fray” (with its seething mentality) dominate with their brash guitar walls and hooks to spare.  Maintaining the aggressive but engaging qualities is the un-abating energy to “Inside Out” and near speed metal romp of “Escape From The Fire”.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eAt this point it must be noted the solid production, which puts corpulent guitars at the centerpiece of the mix while also reinforcing cleanly defined leads and a forthright low end.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eOn the more melodic side of things are “Crucified” and “Let It Rock”, choice examples of up-tempo metal in which catchy hooks prevail.  “Desperate Night” and “End Of The World” maintain the melodic sensibilities but with the more dramatic and sublime aura, while “To Live Forever” is classic eighties metal all the way.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003ePlease note that “To Live Forever” was slated as the title track to Saint’s fourth album to be recorded in follow up to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eToo Late  For Living\u003c\/em\u003e.  That obviously fell through, at which point the song was resurrected for the groups 1999 EP\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Perfect Life\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eThe only thing constructive to offer is that the discordant “Zombie Shuffle” is, well, a bit off beat (not a skip button, just different) while vocals are mixed a bit high in places (most notably “Crucified”).  Some problems with the packaging as well: “Crucified” is misspelled in the track listing as “Crusified”, while a breakdown is not given in terms of what vocalist sings which song.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eSpeaking of which, Saint went with the vocalist by committee route this time: Long term front man Josh Kramer handles vocals on 8 songs, bassist Richard Lynch 2 others and newcomer Brian Miller the albums title track.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eYes, you heard that correctly in that Josh Kramer departed Saint (reportedly he moved out of state).  Regardless, he puts in the type of passionate and gutsy performance one would expect with his Halford-like vocal presence.  In particular, “End Of The World” finds him singing in a lower register, while he adds some sass and snarl to his delivery on “Let It Rock”.  All in all he goes out on a strong note.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eLynch provides vocals on “The Key” and “Escape From The Fire” with his “gruffer” and “courser” vocal style.  He complements the heavier nature of the material here, as he did on the original version of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCrime Scene Earth\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein which he made his initial vocal appearance- keeping in mind that Josh is the stronger vocalist (I am surprised they did not let Josh handle everything since this is his swan song effort).\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eAnd then there is newcomer Miller, who brings significant range and power in not being that far removed from what Josh brings to the table.  The main difference is that Miller offers a bit more of a high end register (check out 3:56 of “Desperate Night”).  Two things stand out: a) he befits the classic Saint sound just fine; b) his abundant abilities should allow him to be a force for years to come.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eLynch’s subterranean bass lines and Jared Knowland’s rigorous timekeeping skills help establish what amounts quite the intimidating low-end presence (one of the best ever on a Saint album).  Guitarist Jerry Johnson, at the same time, steps to the plate with several lengthy stretches of his trademark intricate lead guitar work, with “End Of The World” showcasing a good example of his abilities.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eDesperate Night\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eadds up to another very good album from Saint.  While I hesitate to rank it with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eToo Late For Living\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Mark\u003c\/em\u003e\/\u003cem\u003eRevelation\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(my two favorite from the group), it holds up quite well when placed alongside\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTime’s End\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIn The Battle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHell Blade\u003c\/em\u003e.  Classic metal fans rejoice!\u003c\/p\u003e\n\u003cp class=\"arial18\"\u003eTrack By Track\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eOpener “Crucified” hits hard and fast from the get go, three minutes of melodic traditional metal highlighted by bludgeoning riffs and an inspired as it gets chorus:\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eWas crucified for all to see\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWas crucified for you and me\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e(Now crowned and on the judgment seat)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eStaunch but accessible at the same time, the song brings to mind the Saint classic “In The Night” (off\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTime’s End\u003c\/em\u003e).  “Crucified” is aptly named:\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eHe said “go teach the world\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOf all that you have seen”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnd to the end I reached for more\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eA vow to die like Him\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo cock would crow again\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnd on a stake turned upside down\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI was crowned\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e“The Key” stands out with its bruising riff action- bristling, nasty, upfront and in your face.  The song, otherwise, proves up-tempo with its subtle catchiness and gruffer vocal qualities to Richard Lynch.  A churning low end and incessant momentum add to the unbending scene.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eStarting to a short drum solo, “End Of The World” decelerates to a contentious mid-paced slugfest as chugging guitars, Josh’s low-register vocals and an extended stretch of razor-edged soloing strive for supremacy.  In other words, classic Saint all the way!  The understated irony to the song title and lyrics bring to mind the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTime’s End\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etrack “Destroyers Of The World”:\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eYou’re calling judgment day\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOh heretic you say\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHe’s coming through the sky\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo one knows where, when or why\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt’s only the end of the world\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eThe creatures and the Earth\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAre groaning to the throne\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAll call to judge us all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLike nothing ever known\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e“Let It Rock” represents a return to a faster and more upbeat direction.  With walls of guitars carrying things front to back, the song plays up what amounts a non-stop energy blast of heavy set riff laden metal.  The commanding backing vocals of Lynch add an aggressive touch.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e“In The Fray” allows Saint to showcase its musicianship, with Jared Knowland shining with his technical timekeeping skills and Johnson providing another over the top adept stretch of soloing.  Musically, the song maintains the Saint trademark angst based mentality in joining an underlining guitar driven crunch with plenty of fury and emotion.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eThe “political” metal of “Inside Out” (the song includes narration from President Obama) features some harshly done backing vocals (for its forcefully done chorus) while placing an accompanying audience track in the backdrop.  Things take a more mid-paced heading while still allowing for the albums overriding energy.  Again, a political statement is made here:\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eWe’ve seen the TV headlines\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe’ve seen the outcome score\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe’ve seen it all now\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnd I can’t take no more\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eAgendas contemplating\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey’re knocking at the door\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnd like the song it goes\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey’ll tax us till there’s rich no more\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eThe albums title track ranks with the albums best.  The song services to showcase new vocalist Brian Miller, who complements what amounts a dramatic milieu with his soaring vocal style.  A more melodic direction is taken as well, with the accessibility to the chorus contrasting with some darker and more lower-key aspects to the low-end.  Second Coming is the subject at hand:\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eLong ago I heard the story\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOf the day that waits in time\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUntold stories on Earth were left behind\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLike a thief at night, in the shadows wake\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThere was a sound, a flash in the night\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eTwo gone before me\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe terror starts today\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDesperate\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDesperate night\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e“Zombie Shuffle”, the albums shortest at 2:40, is the lone Josh Kramer contribution.  I have always seen it as more of an experiments track that works better in a video format (Josh put together a very well done video to the song) as opposed to casual listening.  Not that it is bad musically - by far the contrary - it is just a bit offbeat with some discordant elements merging with guitar tones that almost have a thrash feel to them (at least that is what my ears are hearing).\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e“Judgement” represents another top of the line piece.  Unadulterated power in the rawest form, the song ranks with the heaviest of the heavies as Johnson’s brawny riffs stand alongside nothing less than a pulse pounding rhythm section.  But it is not all angst in that quite the catchy hook prevails as well.  Lyrically, “Judgement” is aptly entitled:\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eChosen before time\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo show the way\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSeeking God at night\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo crush the day\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eFinding faith\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFinding sight\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe end game is in play\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eCome Lord Jesus, mercy\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePurge the earth\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e“To Live Forever” is classic melodic metal all the way.  Guitars might be toned down a bit - at least in comparison to some here - but that does not diminish the quality, as reflected in the strength to the songs chorus and lush guitar melodies and harmonies throughout.\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eLynch returns on lead vocals on “Escape From The Fire”, a non-stop front to back barn burner that almost approaches speed metal territory.  Yes, impetus is explosive and mercurial but hooks are not forsaken in the process: check out the underlining catchy elements to the harshly delivered chorus.  Lynch’s caustic vocal approach fits the aggressive tone at hand.  Lyrics focus on End Times themes:\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eEnemy below we rip through the sky\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePounding the earth with a judgment day cry\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWitness the power from heaven up above\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGallant white horses and those who I love\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cem\u003eCrushing the dragon a blow to his head\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStomped through the wine press now he is dead\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAll of his glory and all his desires\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJudgment upon him thrown in the fire\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"style3\"\u003eReview by Andrew Rockwell\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e“The Crucible” (1:13), “Crucified” (3:17), “The Key” (3:35), “End Of The World” (4:12), “Let It Rock” (3:02), “In The Fray” (3:22), “Inside Out” (4:19), “Desperate Night” (4:23), “Zombie Shuffle” (2:40), “Judgement” (4:22), “To Live Forever” (4:40), “Escape From The Fire” (3:19), “The Crucible (Reprise)” (:28)\u003c\/p\u003e\n\u003cp class=\"style3\"\u003e\u003cstrong\u003eMusicians\u003c\/strong\u003e\u003cbr\u003eJosh Kramer - Lead Vocals\u003cbr\u003eBrian Phyll Miller - Lead Vocals\u003cbr\u003eJerry Johnson - Guitars\u003cbr\u003eRichard Lynch - Bass \u0026amp; Lead Vocals\u003cbr\u003eJared Knowland - Drums\u003c\/p\u003e\n\u003cdiv class=\"video-wrapper\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w88ao9BZA_Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e CUSTOMER REVIEW\u003c\/strong\u003e\u003cbr\u003eJosh and the gang just keep bringing it. I have every Saint album and have loved this band since before Times End. The drums are faster than ever, the bass is amazing, Josh Kramer never fails to impress with his song writing ability and I swear that God himself is supplying some of those blood curdling screams! Desperate Night is right on par with Crime Scene Earth, Hell Blade \u0026amp; The Mark. The sound is fat, full and round. It's hard to describe Saint if you've never listened to them but I would compare them in some ways with Judas Priest. (Imagine Stryper on steroids) Saint is a candle in the darkness, they are unbelievably hard core and not ashamed of it. At times it's as if they are actually battling the Antichrist right there on the track through their insane guitar riffs, double bass beats and powerful screams!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e1 The Crucible 1:14\u003cbr\u003e2 Crucified 3:18\u003cbr\u003e3 The Key 3:35\u003cbr\u003e4 End Of The World 4:13\u003cbr\u003e5 Let It Rock 3:02\u003cbr\u003e6 In The Fray 3:23\u003cbr\u003e7 Inside Out 4:19\u003cbr\u003e8 Desperate Night 4:24\u003cbr\u003e9 Zombie Shuffle 2:41\u003cbr\u003e10 Judgment 4:23\u003cbr\u003e11 To Live Forever 4:41\u003cbr\u003e12 Escape From The Fire 3:19\u003cbr\u003e13 The Crucible [Reprise] 0:29\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCredits\u003c\/strong\u003e\u003cbr\u003eBass, Vocals – Richard Lynch\u003cbr\u003eDrums – Jared Knowland\u003cbr\u003eGuitars – Jerry Johnson (11)\u003cbr\u003eVocals – Josh Kramer (tracks: All Guitars on \"Zombie\")\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":43021422493781,"sku":"mhq1789823289954","price":28.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/7322\/5557\/files\/saint---desperate-night-new-black-vinyl-2022-retroactive-records-remastered-josh_1.jpg?v=1789823294","url":"https:\/\/signoffwear.shop\/products\/saint-desperate-night-new-black-vinyl-2022-retroactive-records-remastered-josh-kramer-on-vocals","provider":"My Store","version":"1.0","type":"link"}